A NYT video explores the stratospheric world of the “Sky Cowboys” who are constructing WTC 1, aka, the Freedom Tower.
A new kiosk at Grand Central by BK-based Tacklebox is made from 1,800 copies of the New York Times.
So what will be Ouroussoff’s legacy? Love it or hate it, the old model of architecture criticism is on the far end of decline, and Ouroussoff, as the voice of the New York Times, has been one of the most powerful critics left in wide circulation. He favors starchitects (as did his predecessor, so, par for the course?), has namechecked Carrie Bradshaw and Bambi, wrote an interesting and underrated series on contemporary architecture in the Middle East, and has of late relied a bit too much on the words “luxury” and “nostalgia.”
Now we rank some of his bon mots on a scale of Agree to Disagree.

So what will be Ouroussoff’s legacy? Love it or hate it, the old model of architecture criticism is on the far end of decline, and Ouroussoff, as the voice of the New York Times, has been one of the most powerful critics left in wide circulation. He favors starchitects (as did his predecessor, so, par for the course?), has namechecked Carrie Bradshaw and Bambi, wrote an interesting and underrated series on contemporary architecture in the Middle East, and has of late relied a bit too much on the words “luxury” and “nostalgia.”

Now we rank some of his bon mots on a scale of Agree to Disagree.

Moveable Type (which shows the movement of the daily news cycle) by Ben Rubin & Mark Hansen, at Renzo Piano’s New York Times Building in Times Square.
More good art in NYC lobbies here.

Moveable Type (which shows the movement of the daily news cycle) by Ben Rubin Mark Hansen, at Renzo Piano’s New York Times Building in Times Square.

More good art in NYC lobbies here.

After a somewhat grim year for architecture (this.), New York Times critic Nicolai Ouroussoff is predicting a bumper year for great buildings. He mentions Zaha Hadid’s Guangshou Opera House, above [Images (c) Sharwe, via Arch Daily], and you can check out more of Ouroussoff’s picks for the year below. 

Amir Building at the Tel Aviv Museum of Art, Preston Scott Cohen, Tel Aviv, Israel. [Image via Milimet]

Red Location Museum of Struggle, Noero Wolff Architects, Cape Town, South Africa. [Image via Spatial Agency]

New World Symphony, Frank Gehry, Miami, Florida. [Image via the New York Times]

After a somewhat grim year for architecture (this.), New York Times critic Nicolai Ouroussoff is predicting a bumper year for great buildings. He mentions Zaha Hadid’s Guangshou Opera House, above [Images (c) Sharwe, via Arch Daily], and you can check out more of Ouroussoff’s picks for the year below. 

Preston Scott Cohen

Amir Building at the Tel Aviv Museum of Art, Preston Scott Cohen, Tel Aviv, Israel. [Image via Milimet]

Museum of Struggle

Red Location Museum of Struggle, Noero Wolff Architects, Cape Town, South Africa. [Image via Spatial Agency]

Gehry

New World Symphony, Frank Gehry, Miami, Florida. [Image via the New York Times]